African-Caribbean Elegy – EP
London Choral Sinfonia
Michael Waldron, director
1 There runs a dream 4.43
2 To those 3.04
3 Ancestor on the auction block 5.36
Total time 13.24
London Choral Sinfonia Michael Waldron, director
The African Caribbean Elegy (Opus 70) by Richard Pantcheff is a cycle of three part-songs for mixed choir written in 2009. The words are all by famous West Indian poets, reflecting on the nature of cultural and historical links between West Indian and African peoples. The work was premiered in Johannesburg in 2010.
The time that the composer was living in Barbados coincided with a significant increase in popular interest in exploring the ethnic and cultural connections between West Indian peoples, their traditions and history, and those of Africa (West Africa in particular). This trend was encapsulated in the book ‘Tracing Ancestors in Barbados’ (Genealogical Press Co, Inc. 2006) by a friend of the composer, the late Geraldine Lane.
By 2009, the composer had moved to South Africa, and was able to consider the African – West Indian cultural connections from the other end of that continuum. It proved to be a fascinating subject, and one which caught the interest of Michael Dingaan, a key figure in the South African musical world. Michael commissioned the composer to write a new work for his Chamber Choir of South Africa, an ensemble of young black professional singers in Johannesburg.
The Elegy uses three of the most famous West Indian poems on the subject. First is ‘There runs a dream’ by A.J. Seymour, a Guyanese writer and poet. This poem pays tribute to the heroism of those who drove back the jungle in order for the country of Guyana to be established, but even within its short two verses, it is acknowledged that the jungle is not so easily tamed, and grows back stealthily to cover the land. (‘Sic transit gloria mundi’).
The second poem ‘To Those’ by Harold Telemaque (b. Tobago, 1909) similarly acknowledges the bravery of those who fashioned some of the great wonders of Africa (e.g. the Sphinx, and the navigation of the Congo) as they are forced to settle in distant lands ‘…left only with a sad song in their hearts…”.
The final work in the cycle uses verses from the famous ‘Ancestor on the auction block’ by Vera Bell (b. Jamaica, 1906). In this poem the author addresses those of previous generations brought to the West Indies against their will, and identifies with them on cultural and historical grounds as well as on the basis that all humanity should be seen as being made in the image of God.
African-Caribbean Elegy was first performed by the Chamber Choir of South Africa, directed by Michael Dingaan at the Standard Bank Gallery in Johannesburg on 27th October 2010, at which an exhibition of artistic works published by the Caversham Press was displayed, including works by such artists as Deborah Bell, Gabisile Nkosi, and William Kentridge.
Michael Waldron began his musical training as a chorister at St Ambrose College, Hale Barns. After a gap year Organ Scholarship at Worcester Cathedral, he held the Organ Scholarship at Trinity College, Cambridge, for four years. Here he studied under Stephen Layton, during which time he was involved with the Choir’s numerous international tours, concerts, broadcasts and recordings.
Since graduating, Michael has quickly established himself as one of the most dynamic and versatile conductors of his generation, enjoying a busy concert career. He has worked with the Philharmonia Orchestra, Hamburg Symphony Orchestra, Royal Philharmonic Orchestra, Britten Sinfonia, Academy of Ancient Music, Orchestra of the Age of Enlightenment, Polyphony, London Mozart Players and Tonbridge Philharmonic, including appearances at the Royal Albert Hall, Royal Festival Hall, Queen Elizabeth Hall, Cadogan Hall, Wigmore Hall and BBC Proms.
Michael enjoys an extensive operatic career, including shows and projects for the Royal Opera House, English National Opera, Buxton International Festival, Opera Della Luna and West Green Opera.
He is currently Artistic Director of the London Choral Sinfonia, London Lyric Opera, Islington Choral Society, Epworth Choir, and has also held posts with Guildford Choral Society and University of West London Chamber Choir.